#OhSoNatalie

Our monthly newsletter sharing Natalie’s favourite brands, the people behind them, and ideas about how we can go that little bit further with our creativity.

Pink House by Rebecca Cole is #OhSoNatalie

I love the vintage woven borders crafted by Pink House by Rebecca Cole. The details of these woven borders embody beauty, a connection to a rich cultural tapestry and my admiration of artisanal craft. It is very the detail our studio loves encorporating to deepen the complexity of any scheme.

The Pink House by Rebecca Cole collection champions artisan textile traditions from Europe and Nigeria re-imagined for the interior design market. Their collection consists of bespoke Woven Borders, Embroidered Borders, Hand Printed Borders, and wallpaper. Rebecca’s experience as a textile print designer informs the curation of this collection of artisan textiles, encompassing traditions of cross-cultural print and weave.

QUESTION 1

What is your favourite colour & why?

I am a bit of a butterfly where colour is concerned. It really depends on what I am currently working on. Right now I’m favouring deep indigo because I am working with indigo dyes, but have a general love of colours that are slightly “off” for example, dirty pinks and greens rather than pure primary colours, they feel more interesting and change in different light levels.

QUESTION 2

What are you working on at the moment you find exciting?

Ooh, so many exciting things!

I am really pleased with the new naturally dyed indigo pieces that we have been working on with artisans in Nigeria. Using vintage French linens we have been developing methods of recreating the patterns that inspired the Pink House Adiré Wallpapers. Each piece is individually created using traditional starch resist techniques and natural dye from wild African indigo plants. 

The collection is continually evolving and I love developing new colourways for the embroidered trims, it’s amazing to see what a different feel different colours can give to the same design, the neutrals are always popular, but I also love experimenting with strong and vibrant colours for the adventurous designers I work with. We are about to add two new colours to the Oroko design – ‘Flame’, a rich mix of oranges and reds and ‘Mint’, pretty, cool cream and greens. These perfectly demonstrate the effect of different colours on the same design.

QUESTION 3

I love your block prints on vintage French linen or aso-oke woven borders. What inspired you to create this wonderful product?

I spent quite a few years living in rural France renovating an old farmhouse when my children were small enough to embrace the rural idyll of living ‘off-grid’ in the French countryside. We spent our Sundays exploring the brocantes and local charity shops where I revelled in picking up lovely vintage textiles while my children searched for rare Pokémon cards! I developed a habit of buying old French linen or ‘metis’ sheets whenever I saw them and was looking for a way to use some of the imperfect ones. When I started carving some of my wildflower sketches for block printing it seemed logical to test the blocks on the damaged sheets and that was how the block printed borders emerged. The long strips of pattern were perfect as decorative trims to apply onto curtains and cushions. (as you have so brilliantly demonstrated Natalie!)

When I started to work with the traditional weavers from my husband’s Nigerian heritage, it seemed logical to try printing the border designs onto them too and the Pink House collection of trims really started to take off. I love the rich colours and textures of printing on the hand weaving in contrast to the delicate feel of the antique linens, it gives a real breadth to the collection.

QUESTION 4

Where do you go for / what do you do for inspiration?

If ever I need a bit of creative soul food I have two favourite places, either the garden or the V&A Museum, both have infinite sources of inspiration and sketching opportunities. Both also offer precious opportunities for quiet time with a cup of coffee and my own thoughts, away from my computer screen.

QUESTION 5

Do you have a cherished object you would never part with? What is it & why?

My sketchbook is my starting point for all my designs and is full of plant drawings and sketches from artefacts in museums. I have a preference for the Seawhite square-format sketchbooks, they are nice and chunky but not too big to travel with and the paper is good enough for both drawing and painting. Sketchbooks act as a kind of journal for me, sporadic at times but always with associated memories, bits of plants, notes, and doodles of places, plants and landscapes. So I never travel without my sketchbook, even if I don’t always get time to use it.

Follow her on Instagram @PinkHouseByRebeccaCole